6 Ways to Survive Rewrite Hell

Rewriting is HARD. Rewriting will make you want to throw your computer out a window. I keep telling myself there’s some sort of formula here, there’s gotta be some equation for success, completion, and contentment with this novel that I am missing. Unfortunately, there is not. All you can do is chew your cuticles until their bloody and hope you’re making some headway.

I was talking to a friend about a novel she’s dabbling with, and I told her about my rewrite hell. Her reply was, “I don’t want to have to do that. I want to get it right the first time.” The thing is, I don’t think this dabbling friend is quite to the point where you start seeing your work with a different eye, one that isn’t looking from behind rose-colored glasses of our own can-do-no-wrong greatness. Rather than irritating me, like this might have in the past when I would have felt inadequate given that I have to rewrite my novel, I was actually relieved. I wasn’t foolishly throwing myself into a titanic endeavor (this ship won’t sink! Shit…it has sunk) when I began penning this work. I also thought my novel would be good to go when I finished. Because I started writing, whole-heartedly believing in what I was doing, I now have something worthwhile to rewrite. I laid down a foundation in which I could see theme, character, and plot in their rawest forms and extract them to distill them to perfection. My point is, rewrites are a big part of being a writer, and the sooner you accept that, the less crazy–I mean, the happier you’ll be. 🙂 <–see? Happy.

So here is a list of a 6 tips to surviving the sea of madness, self-doubt, joyful torture, an grueling work of rewriting:

1. Every time you have that moment of pure self-doubt, that moment of ‘why do I think I can do this? What on God’s green earth made me think I could be a writer?’, just ask yourself what else you enjoy doing this so much? What gives you as much of a reward after expending so much sweat, blood, and tears? That’s right. Nothing. And THAT is why you keep doing it.

2. In the vein of #1, read one of your favorite books. Recapture the magic you felt when you first read it. Remind yourself that the magic of that novel, in part, composes your own writerly spirit, and that now is the time to pay that great novel/author tribute.

Villette House of Leaves Catcher in the Rye

3. When have trouble getting something out, when that blinking cursor mocks your every false start, just walk away. Do something else, something completely non-related to writing. Some people say TV kills creativity *cough* Stephen King *cough* and sometimes they’re right. But I often find that things that move me, including awesome television programs, offer inspiration, open up my well of creative impetus. It is sometimes in those moments that you aren’t obesessing about your rewrite that you find a way to fix a particular problem or get a eureka moment.

4. Write long-hand. This is something I recently embraced while slogging through the torturous rewrites of my first novel, The Prey and the Predator. Every time I sat down to my computer, all I wanted to do was copy and paste from the old document, which I’d promised myself I would NOT do. The whole point of rewriting was to bring the entirety of the work up to my current writings standards, to update the pieces that I wrote when I was fourteen years old and have been repeatedly cut and resown back together throughout the years, to smooth everything out. The exact way to NOT follow through with this is to cut and paste. So though I refer to a printout of my most recent version of the MS and my newfangled chapter-by-chapter outline, when I restrict myself to writing long-hand, I am wont to create something that contributes to my new, tightened premise that is more focused and succinct.

5. Submit what you feel most uncertain about to a trusted friend. Be this a critique partner or just a friend/family member who willingly reads your stuff and usually enjoys it. Ask them to be honest with you. After forcing out my first chapter of my rewrite, all the while asking myself the questions I mentioned in #1, my critique partner admitted that she felt like she was betraying me by liking it so much. But it is this encouragement, her genuine interest in it, and her helpful suggestions of what could be improved that made me realize it wasn’t as bad as I had imagined it to be. I was just so crippled by fear that I couldn’t see past that to the reality of the situation.

6. Research and network. This is a lonely calling we have rooted ourselves in, for better or worse. It makes a world of difference to feel connected to the wide writerly world out there, other people enduring the same struggles as ourselves and even people seeing success erupt from those hardships. Subscribe to Writer’s Digest, check out the articles on Writer, Unboxed, browse through others’ blogs and comment. It’s a good way to make a writing friend, a new connection in the writing world, a new synapse in a network you will continuously be growing. I feel so in tune to the writing world right now that it’s starting to get downright creepy with Writer’s Digest mirroring whatever my current concerns are. This article for one, assures me that everything I’m doing is just what I’m supposed to be doing. Also, at the risk of sounding like an advertisement for Writer’s Digest, the latest issue had tons of great articles in it on topics I was just fixating on: “What Literary Journals Really Look For”, “34 Markets for Genre Short Stories”, “Science Fiction & Fantasy: Balancing Exposition in Speculative Fiction”, and the eeriest, as I was just wondering what this genre was all about anyway, “Exploring the World of Steampunk”.

Just be open to connections with people, which may mean researching, branching out, and leaving a trail of breadcrumbs back to your online presence via comments on blogs or writing websites. It meant so much to receive an invite to write together sometime from a new friend in the blogosphere; it was all I needed to hear in that moment to assure me that all of this, the public presence though all I want to do is hole up and write, the tweeting, and tumbling (that I never update. Shhh), maintaining this blog, are all worth it. Because there are other people out there, just like me–just like you–who are also afraid sometimes but are genuinely good people sharing in the same struggle.

Did my reassuring, calming Bob Ross tone come through this post and inspire you to keep slogging through your own rewrite hell? What are your methods for coping through these perilous times?

9 Free Expert Sources Every Writer Should Explore


I am obsessed with procedure and process and understanding others’ processes and methods.  As an aspiring writer, you should be on the up and up with expert advice and examples of successful methods. Fortunately for you, I actually enjoy researching the valuable and not so valuable information out there on the writing process, agent finding process, and publishing process. So, I have taken the time to compile all my finds here. Obviously it’s not everything, but I find these resources useful (to be determined yet as to whether they are successful). Hopefully this blog can be a start for those of you who hate doing the footwork of researching this stuff, or those of you who  just haven’t come across these golden nuggets. Without further ado, what follows are 9 resources you might find useful as an aspiring or established writer, not in any specific order:

1. So, the first one’s kind of obvious: Blogging. I have learned a lot from blogging (I think I am getting a little better about these damned parenthetical asides). It’s an entirely different kind of writing that really does click when you speak to a focused audience—which should, in turn, clarify your writing on your blog. Blog writing is also different than writing fiction, because it forces you to be concise and entertaining with less of the bells and whistles with which novice writers often clog up potentially good fiction writing (I am totally guilty of this). Blogging necessarily teaches you to to cut down on excessive purple prose. I, myself, like purple prose every now and then, but sometimes it is just downright superfluous.

2. Nathan Bransford: I have learned things from this gentleman’s fun, highly accessible blog that I do not think I would have been able to glean from anywhere else. He’s got years in the biz, so he knows what he’s talking about. But he also brings a fresh, modern perspective to this subject of breaking into the publishing world that you do not encounter with other “experts” giving this advice. Bransford’s blog covers everything from “How to Write a Query Letter” to “How the Publishing Process Works” and the hilarious, “The Publishing Process in GIFS”.

3. QueryShark.  I am a big fan of learning and I enjoy laughing. I get both of these needs utterly fulfilled on this website. I haven’t yet submitted to her because I haven’t read her entire archive, which she requires. But honestly, I don’t know if my big girl panties will ever be big enough to prepare me for her ruthless red pen. QueryShark is an invaluable resource for understanding what makes an excellent query letter and how agents respond to the ridiculous number of requests they get from would-be writers seeking representation.

Ah, Escher. So adept at conveying the cyclic nature of life. Like learning your craft, actually writing, then trying to find a way for others to experience it. And…repeat.
Ah, Escher. So adept at conveying the cyclic nature of life. Like learning your craft, actually writing, then trying to find a way for others to experience it. And…repeat.

4. How to Write a Great Query Letter by Noah Lukeman. It’s short, sweet, to the point and chock full of great, easy to follow advice (if you’re willing to sit down for multiple hours or days to beat that query letter draft you already have into submission). He helps the reader to perceive the query letter like a business transaction. In a more methodical and slightly less entertaining approach than Query Shark, Lukeman lets you in on the thoughts an agent cycles through while reading your query letter, effectively laying out exactly what you need to do to ensure, at the very least, that yours is not overlooked. I got this book for free off the kindle store.

5. Journal databases. Somebody has already compiled for you hundreds—nay! Thousands!—of potential platforms for your work to shine! You just have to find the right list of journals, then the right kind of journal. Poets & Writers has a pretty awesome list. From what I’ve read, in this publishing climate and century, you have to expect to get some recognition on the humbler platforms before you make it in the big leagues.

downloadfromthedepthshello horrorcrazyhorse

6. Literary agent databases. As with the literary journals, if you’re of the majority then you’re probably going to need a literary agent to get published (though it seems this majority is being swiftly superseded by successful self-published authors). And don’t let anyone fool you. It’s hard work finding one. Poets & Writers has a pretty cut and dry one.  Literary Agent: Undercover was a nice resource when I was compiling my list of agents to submit to. I used it to supplement my copy of The 2013 Guide to Literary Agents by Chuck Sambuchino. Some of the information is outdated though. For instance, I sent a query to an agent who is now the digital director for her agency. Doh! But if you do your homework on the people you find there, the format is really nice and accessible, and it gives you a good, solid start.

7. AnnieNeugebaur.com. Her “Organized Writer” page boasts an impressive list of helpful plotting and submission tracking charts that the web-directress created herself. She posts the fruits of labors for free, but donating for all the hard work she obviously put into these doesn’t hurt! I have used the “Writer’s Bio Template”, the “Agent Query Prep-work Chart” and keep current versions of the short stories and poetry submissions charts. A great source for the resourceful aspiring writer!

8. On Writing by Stephen King

on writing

This one isn’t free, per se, but it was for me. Picked it up off my university’s ‘take a book, leave a book’ shelf (I didn’t leave a book, shhh).  While you could probably find a copy of it for free in a thrift store, just shell out the four or five bucks to buy it used off Ebay or Amazon.

I’m not a big fan of memoirs. Once in a while you read one that just knocks your socks off but I was very pleasantly surprised by this (also, of King’s work, I’d only ever read to the end of The Gunslinger and The Drawing of Three, so I didn’t know what to expect from this. Pretention or some boring, drawn out dusty, old recollection about how he grew into the amazing writer that he is today. But it was none of these things). King gives us an engaging account of how his own writing life developed, his addictions as a writer (he says stimulants do not boost our writing with anything that wasn’t already there before—completely contradicting my post on Writer’s Lot, I might add), and in the ‘Toolbox’ section and ‘On Writing’ second half of the book, he seamlessly moves into an outlining of the tools every writer needs to acquire and hone. Bottom line, it’s a useful read well worth your time while being immensely enjoyable. Especially helpful, which I will certainly refer to many times in the future, is the comparison of his ‘closed door’ version of the beginning pages of his story 1408, and the ‘open door’, heavily marked version, which shows all of his changes and cuts. Most predominantly, his cuts. The lesson from this little exhibit of his has melded itself to my brain, like a barnacle on a ship’s hull.

9. And last, but not least, the sober-minded friend or relative (very important that they are not a writer) that can honestly, and comfortably tell you, ‘no, that’s insane’, when you pitch a whack idea. If this sober-minded third party is another writer, he or she will probably just start trying to figure out how you could work the bloody idea in.

Spock delivering his blue steel because Captain Kirk probably just suggested some outlandish shenanigans
Spock delivering his blue steel because Captain Kirk probably just suggested some outlandish shenanigans

But it is as good to have a (mostly) sober-minded friend who is also a writer. These kind of folks make invaluable critique partners. Writing groups, or even a regular date with one other person, help you focus, engender a bit of a competitive edge sometimes, get us talking ideas until the wee hours of the morning, and aid us in gaining a fresh perspective.

Bottom line, all of this is just the nit and grit that many don’t care to bother with. We want to just get back to our writing, our darling WIP, our current baby. But alas, this is necessary. Sometimes we can get bogged down in all this prep work and research, the fear that we might not be good enough heightening all the while. Or the realization that we don’t actually know what we’re doing steals the breath right out of our lungs, rendering our entire life’s goal/ambition/work null and void. That’s how it is for me anyway. But as the King says,

‘The scariest moment is always just before you start. After that, things can only get better.’

Fun extra tidbits


  • If you get Writer’s Digest magazine (and I hope you do), the themes of February’s edition were awesome! I was just thinking about the pros and cons self publishing versus traditional publishing and lo and behold, I open the magazine to find “What Writers Need to Know About the E-Book Market”, “Best of Both Worlds”, “10 Top Publishing Insiders (& Outsiders) to Follow Online.”  Also, I recently reviewed my query letter for my first novel and have concluded the story must be worked on before the query letter can be improved. So you can imagine my ‘it’s a sign!’ moment when I found some very helpful outlining articles and provocative questions for raising the stakes in one’s novel, like “Between a Rock and a Hard Place”, “Mapping Out Your Hero’s Adventure”, and “Outlining and Story Mapping: 7 Steps to Creating a Flexible Outline for Any Story.”
  • The musicology of the novel is fun and quite useful for a multitude of POVs. I like being able to see a visual diagram or my characters’ point of views in my fantasy. I need to keep track of how often they switch, and it helps me to feel the beats of the novel’s temporal progression. Especially with as many character point of view changes I’m utilizing in Blood of the Realm, I need to keep track of who we haven’t heard from in a while or who we’re getting a heaping helping of.


Mmmhmmm. I love me a good villain.
Mmmhmmm. I love me a good villain.

I’ve been considering the idea of rewriting my first novel to introduce the villain sooner and involve him more to heighten the stakes. I’ve always wrote these exercises off with a ‘meh’. But once I actually did it, not only did I know my villain better—their motives, their dreams, their infatuations and nervous and/or psychotic ticks—I also knew a better direction to take my story in, having gleaned ideas for major plot points from this exercise. It was amazing and eye-opening. I suggest everyone do it. Even if all it amounts to is just a fun freewrite, it’s worth it, because you still probably benefit, even if you don’t consciously realize it.

Know of any fun prewriting exercises or imperative writers’ resources? Please share them in the comments.